Tag: WLM blogger

  • Pigment, Perspectives and Pandas  ||  A Work in Progress or How a ‘Bear of Little Brain’ Started My Career

    Pigment, Perspectives and Pandas || A Work in Progress or How a ‘Bear of Little Brain’ Started My Career

    BY ANNE BELOV
    October 19, 2016

    Begin at the beginning. That’s what they always tell you to do, so that’s where I’ll start: at the beginning.

    My earliest memory of seeing artwork that inspired me to become an artist did not come from a museum or a gallery. I think the first artwork that I ever saw that made me say, “I want to do that!” was my copy of “Winnie the Pooh” by A. A. Milne, illustrated by Ernest H. Shepard. These are the original drawings: simple, black and white ink drawings, elegant in their simplicity, but so moving.

    Winnie the Pooh, contemplating nature / drawing by Ernest H. Shepard from a collection in the Victoria and Albert Museum (photo by Anne Belov, courtesy of the V & A)
    Winnie the Pooh, contemplating nature   (drawing by Ernest H. Shepard from a collection in the Victoria and Albert Museum, photo by Anne Belov, courtesy of the V & A)

    Time moves forward. Art school and oil paint and Impressionism and all the other “isms” of the art world followed, but I have had a continuing and abiding love of Pooh Bear ever since then. Not only did Shepard’s drawings make me want to be an artist but when I began to think about being an illustrator of children’s stories and a cartoonist, his drawings were always front and center in my mind.

    So, upon reading Margaret Chodos-Irvine’s series of blog posts about visiting the Victoria and Albert Museum in London and making an appointment to examine drawings in their collection that are not on display, I was intrigued. She wrote a three-part series about her visit to the museum on her blog, Books Around the Table, which she shares with several other kid-lit writers. When she posted a photograph of one of Shepard’s Pooh Bear drawings, my brain went into hyper-drive.

    I. Must. Do. That…

    …I said to myself. And on a recent trip to London, I screwed up my courage and called the print and drawing study room and asked if I could have an appointment. (What if they say NO!!!???) But of course they didn’t say no. They said, “When would you like to come in?” and I said “tomorrow.” And so I did. I went to the V & A (as it’s referred to in London) and headed to my meeting with Winnie the Pooh.

    “Be sure to be on time to meet the group that will be using the study room. We don’t wait if you’re late.” They have you wait at a specific place, check your name on a list and give you a special name badge to wear and then they lead you up to the study room, which is a labyrinthian maze of stairs and corridors and doors and elevators until finally you reach the study room and sign in with your badge number and there, on the table they have set aside just for you…

    An entire box of actual drawings by Ernest Shepard himself. The. Real. Thing.

    Rough sketch of Pooh / drawing by Ernest H. Shepard from a collection in the Victoria and Albert Museum (photo by Anne Belov, courtesy of the V & A)
    Rough sketch of Pooh   (drawing by Ernest H. Shepard from a collection in the Victoria and Albert Museum, photo by Anne Belov, courtesy of the V & A)

    Now, I have long loved pencil drawings for themselves and not just as a means to another end, like a finished, polished oil painting. So, to see these drawings with no frame or glass between me and the drawings was nothing short of a religious experience. (They are matted with wide eight-ply archival museum board mats, so you don’t actually touch the paper, but still!!!!)

    The finished ink drawings in the books are very clean and sure of themselves. The pencil drawings I saw here were raw and rough, with erasure marks as he changed his mind about the position of a head or leg or number of honey jars that Pooh was counting. In some cases there were multiple drawings of the same subject as he tried to capture the exact pose or composition of each drawing.

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    Pooh meets Tigger w/ Shepard notes on drawing   (drawing by Ernest H. Shepard from a collection in the Victoria and Albert Museum, photo by Anne Belov, courtesy of the V & A)

     

    When we see finished artwork, we rarely see the struggle that went into making it look the way it does. The more polished and effortless something looks, the more likelihood the artist struggled and fumed (and possibly said some very bad words) and started over multiple times before achieving that effortless grace we see in a gallery or picture book.

    This is worth remembering as we look at art and dismiss it as looking “too easy.” And those of us who try to make art that looks as if it descended whole and glorious from on high need to remember this, too. The struggle and the eraser is what makes it great. Thanks, you silly old bear, for the reminder.

    Anne Belov paints, writes and illustrates in her house that might be in the Hundred Acre Wood on Whidbey Island. Her paintings can be found at The Rob Schouten Gallery at Greenbank Farm and at The Fountainhead Gallery on Queen Anne Hill in Seattle. She is Mistress of Pandas at her blog, The Panda Chronicles, and is working on her graphic novel, a detective story with art and pandas, which she hopes will be finished someday.

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    WLM stories and blogs are copyrighted and all rights are reserved. Linking is permitted. To request permission to use or reprint content from this site, email info@whidbeylifemagazine.org.

  • Minding the Sky || Gleaning the Chutney of Life

    Minding the Sky || Gleaning the Chutney of Life

    BY JUDITH WALCUTT
    October 12, 2016

    You probably didn’t notice, but I am nearly a month late with this posting. I was last due on Sept. 12 at which time I was out of body, in another part of my mind. It was my birthday and I was completely absorbed in one and only one activity: completing the edit on my novel. I’d been sliding around it all summer but there was a lot to do to clear the way and then single-mindedly approach the book I wrote—oh, something like 20 years ago­—with a fresh take and a clear eye.

    It should have been easy, after all that time, to do that: look at it anew, after the passage of time. But it’s not easy. No, it is not. It requires a kind of suspension of disbelief that we generally reserve for strangers and things we’ve never read before. It required me to read this book as though I hadn’t written it, and glean how to make it better.

    Try to remember September? (photo by Judith Walcutt)
    Try to remember September?   (photo by Judith Walcutt)

    Glean. I love that word. It means so much: “to extract from various sources,” “to collect gradually, bit by bit,” “to gather (left over grain or other produce) after a harvest.” In the land of language, we glean meaning from words and their innuendos. Face to face, we watch each other: the movement of eyebrows, the set of the mouth, a single movement of the hand—and suddenly we know more about each other than words can ever say. Unless, of course, we’re gleaning meaning from a poker face, in which case, the careful observer may note a certain twitching of eyelids and unconscious fingers twittering in the air without a keyboard. From such gestures, we can learn so much, glean so much, we ought to be able to write volumes about it. I know Henry James, Jane Austin, and a few others have gotten a lot of mileage out of interpreting faces and the unspoken words written across them—as have late night comedians, as they “do” the candidates in this unprecedented election season.

    As I sit here writing this, catching up, as it were, on the passage of time, gleaning the changes in our understanding of language and its use in public discourse, I have to wonder at the paradigm shift I have seen in my lifetime! Someone ought to be ashamed. But, no, no one is. SO back to fiction, where I can control my characters and make them pay for their transgressions—or not—and just watch them struggle while trying to learn from their repetitious mistakes, but then, suddenly, intervene, divinely, and help them get to a satisfying end. I love fiction, for that very reason. It is so uplifting, in comparison to most of actual reality. People inevitably make mistakes. It is the human thing to do. But the really great thing is that sometimes people in the fictional story are redeemed in their lives, they get it—suddenly, they glean the bigger picture and they change because of it. They become better: they seek and get or give forgiveness. It is amazing how well fictional people can behave, if you just let them!

    Author revises fictional reality with cat on board. (photo by Judith Walcutt)
    Author revises fictional reality with cat on board.   (photo by David Ossman)

    As for life off the page, the real reality we are living right now—all I can tell you is: gleaning meaning is a useful practice. Gleaning makes us go deeper into the circumstances, past the thin crust of things material and into the muddy waters beneath, where we can try to make something out of our experience, try to make a meaning bigger than our single selves can see or sense, when we are just tunneling along in our daily lives. Try looking at where the sky meets the water and the water meets the sky—and you will see the bigger picture for both parts.

    Where water meets sky, sky meets water (photo by Judith Walcutt)
    Where water meets sky, sky meets water   (photo by Kevin Patterson)

    Like chutney made from found fruit, gleaned from abandoned fields and the sides of the road, there are so many flavors to consider, seeking the one taste of those many flavors. That’s what I did, when the rain stopped this past weekend. I went out looking for some beautiful fruit hanging from bended boughs, fruit that no one noticed or cared about. Apples—mottled red and yellow and pale green—the colors we are coming to now that summer has had her last late chance. I found a tree and picked a few—just a few—because that’s all you need to make something wonderful out of very little.

    Here’s how to do it:

    Find a tree with unpicked fruit. Apples or pears, or late ripening plums and wild grapes, if you can find them—it doesn’t matter what kind really, just the kind that needs to be seen, used, preserved, and not wasted. Notice its beauty and the bend of the bough. Pick as many as you can carry in your hands and cradled arms.

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    Glean this fruit! (photo by Judith Walcutt)

    Take them home and admire them in a bowl on your table. Then gather the ingredients you want to taste—just like writing fiction, you are making this up as you go along. It is o.k. to be creative where chutney is concerned. With its various degrees of sweet, sour, hot, or salty—you almost can’t go wrong. Look to see what you have on hand that needs to be used before going bad or perhaps find that fruit in the freezer you haven’t gotten to all summer and throw it in the pot.

    Here’s what I had on hand:

    4 big, gleaned apples, peeled and chopped (about four cups worth)

    1 large sweet onion chopped (about a cup or so)

    Several handfuls of wild, sour white grapes (a gift from a friend who had too many, so I captured them in my freezer.) This time, I used one and a half cups, more or less.

    Spices. I have lots and lots of them. I collect them. So for a chutney creation like this, I get them all out and let my nose lead the way.

    When the tins they live in are opened, the whole house smells like a foreign country.

    Fruit, spice, and time make gleaned chutney sublime. (photo by Judith Walcutt)
    Fruit, spice, and time make gleaned chutney sublime. (photo by Judith Walcutt)

    Here are some favorites and suggested amounts for one batch of Gleaned Fruit Chutney:

    1 tsp. peppercorn
    1 tsp. curry
    1 tsp. ground ginger
    1 tbl. fresh ginger grated
    1 tsp. garam masala
    ¼ tsp. each cardamom and cardamom seeds
    ¼ tsp. Five Spice
    1 star anise
    A pinch of fennel
    8-10 whole cloves (or ¼ tsp. ground)

    Make it up with onions and apples. (photo by Judith Walcutt)
    Make it up with onions and apples. (photo by Judith Walcutt)

    Make your spice mixture come alive by heating a tablespoon of canola oil, adding spices and stirring. The smells will awaken and fill the kitchen.

    Oil and spice make nice! (photo by Judith Walcutt)
    Oil and spice make nice! (photo by Judith Walcutt)

    Add the onion first and stir around in the spices until it softens.

    Add the apple and stir around again, until the spices are blended into the two. Cover and let it cook on low for a bit until the fruit settles down, then add the grapes, or the cherries, or the blueberries—whatever you can glean from around you. I threw in some dried sour cherries which I found fading in my pantry.

    The four stages of chutnifying (photos by Judith Walcutt)
    The four stages of chutnifying   (photos by Judith Walcutt)

     

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    After the fruit has softened and begins to give off juices, add—stirring in gradually, with love and prayers for peace on earth and goodwill towards all sentient beings:

    1 cup brown sugar

    1 cup regular sugar (I use organic, raw sugar because it tastes better and is better)

    Stir sugar until it dissolves and turns the fruit shiny and magical looking. (You’ll know it when you see it)

    Add 1/3 cup apple cider vinegar. Stir, stir, stir.

    Cover the pot and keep on low, but still stirring occasionally to keep the stuff from sticking, burning, or otherwise ruining itself like a badly behaved politician.

    Pray or chant and stare hopefully into the heavens as you stir, to imbue the fruit you’ve gleaned from the truth you’ve gleaned, from the world you can’t believe is the one you are living in now.

    Imagine that this chutney is medicine for what ails us. Let it cook on low for quite a while. Remove the lid and stir some more. Let the hot, sputtering juices evaporate, bit by bit, so that the fruit thickens, deepens, becomes more and more profound. Practice patience. Again and again, practice patience.

    When this chutney created by you alone is done, you will know it. It is thick and smells of the past, the present, and the future. One taste. Many flavors. Enjoy.

    And now, back to reality where I will go only as a tourist.

    One taste, many flavors: gleaned chutney (photo by Judith Walcutt)
    One taste, many flavors: gleaned chutney   (photo by Judith Walcutt)

    Judith Walcutt is a writer living on Whidbey Island who makes jams, chutneys, and variously invented preserves for the sake of sanity and spiritual uplift. Her old- novel-made-new-again, “Memoirs of a Modern She-Noodle,” will soon see the light of day from NeoPoiesis Press.

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    CLICK HERE to read more WLM stories and blogsHave a great story idea? Let us know at info@whidbeylifemagazine.org.

    WLM stories and blogs are copyrighted and all rights are reserved. Linking is permitted. To request permission to use or reprint content from this site, email info@whidbeylifemagazine.org.

     

  • The Storied Stylist remembers her awakening to the deep, lush Oz of green

    The Storied Stylist remembers her awakening to the deep, lush Oz of green

    BY JULIE CUNHA, Oct. 13, 2012

    “Passionate collector ─ meet the Lady in Green”

    The other day I was in the local thrift store looking for something I needed, and ended up with something that I did not need.

    I bought it anyway, because it reminded me of someone I used to know long ago.

    The item was three 1970’s Colonial Park Lane water goblets. I’m not a fan of this particular style. They are much too small, and awkward to hold, unless you are a Hobbit.

    No, I would not recommend them.

    However, they have one single, redeeming quality: They are avocado green, the exact color that reminds me of that person I mentioned. I will forever associate her with this tone of green. In fact, for me she is: The Lady in Green. Her name is Patricia G. And, no, the G does not stand for green. (Her last name does begin with a G. Let’s just leave it at that.)

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    The chunky, avocado goblets will forever remind me of the Lady in Green. / Photos by Julie Cunha

    Patricia G, was one of the travel clients of the family business, who quickly became a close friend of the family. I’ll never forget the first time I visited her home to deliver airline tickets.

    Yes, her house was green.

    But nothing seemed particularly out of the ordinary ─ EXCEPT ─ when we rang her door bell, instead of the standard yellow or orange glow, it had a green one! I am NOT! kidding.

    The sight of that glowing green orb made the hairs on the back of my neck stand straight up. My tongue went dry and my fingers curled a little tighter around the airline tickets. I had a feeling something was going to be different about this client!

    The door opened.

    Everything happened in slow motion. I looked at my mother, and she blinked in slow motion. I looked back in slo-mo…

    Standing in front of us, framed in a backdrop of countless shades of green, stood “The Lady in Green.” She was elf-like; her features sharp and delicate. Think Audrey Hepburn, but all in green. And yes, everything she wore (including her tortoise-shell glasses) were green!

    I was mesmerized by the woman standing before me; something was triggered in me.

    My trance was momentarily broken by mother grabbing me from behind, and stepping forward to introduce herself (and her half-witted, daughter; the still mesmerized me). All I could do was nod, and partially close my mouth. I noticed that my mother, too, was dazzled by this exquisitely dressed “woodland creature” I had already named The Lady in Green forever.

    Fortunately for us, The Lady in Green invited my mother and me into her home for a glass of tea.

    Now, before I launch into detail about her house, I just need to tell you that if you guessed that everything in the house was green, you would be correct. Well, with the exception of the family dog, her children’s rooms, and the black-and-white checkered floors in the living room. EVERYTHING WAS GLORIOUSLY GREEN!

    The Lady in Green seated us in her kitchen, where we sat on these mint-green enameled, metal-looking stools, which resembled praying mantises. Directly in front of me, sat a small television encased in plastic the shade of “army” green. If there ever was such a thing as a “cute” T.V., this one was off-the-charts cute.

    As I looked around her kitchen, I suddenly realized the mundane had been transformed by a single color, and done so, beautifully. Especially the contents of her kitchen cabinets. All of her glasses… in every shape and size, were all drenched in liquid Jell-O lime-green. I was in green heaven.

    Her living room was also a kind of shrine to the color green.  I was beginning to think The Lady in Green really was a woodland elf. She had a baby grand piano in the corner. Guess, the color? And her sofa ─ a perfect shade of moss-green. The objects on the mantel and on her coffee table, were layered in tones of green that sparkled with an odd kind of magnificent brilliance; like genuine souvenirs straight out of the Emerald City at Oz.

    I understand now, that nothing in her house was gratuitous. In other words, she carefully chose each item that best represented her passion for the color green. The Lady in Green collected and curated this color like no other person I’ve ever known.

    Most people would never pay that much attention to a single color. Yet, she did. And she did it well. I regret to this day, that I never asked her why she loved the color green so much. I wish I had.

    The whole idea of submerging oneself in a single color, might be a bit too much for most people. I might agree, to a certain point. Nonetheless, The Lady in Green woke me up to the countless possibilities that a single color could achieve. It’s like looking at a color for the first time. Thank you, Lady in Green.

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    I smile and think of the Lady in Green every time I reach for one of these goblets.

    So, remember those Colonial Park goblets that I didn’t care too much for? Well, they sit proudly in my kitchen cabinet with their stout little-avocado green chests puffed out because they are in the most prominent place.

    I can’t help but smile every time I reach for one of those goblets and fondly remember the collector who had a passion for the color green.

    Julie Cunha Interiors, ­specializes in expertly edited restyled vintage and modern interiors. She lives and works on Whidbey Island. To inquire, or make an appointment: Juliecunha5@gmail.com or cell, (360)969-9921.