Romantic poet John Keats might have been looking at an exquisite necklace on a beautiful woman (or maybe a man) when he wrote: “A thing of beauty is a joy for ever: Its loveliness increases.”
Mary Ellen O’Connor silver cuffs with colorful, resin inlays can be custom-made to fit any wrist.
During this month of valentines and sweethearts, Rob Schouten Gallery’s gets in the romantic mood with its February show, “Adornment,” featuring the work of its four jewelry artists, Morgan Bell, Barb Mundell, Mary Ellen O’Connor and Tammi Sloan. The show opens Friday, Feb. 6 and runs through March 2.
Adornment with jewels is a 7,000 year-old practice that has developed through all the greatest civilizations. From the great queens of Egypt and the Roman Empire to today’s contemporary European houses of fashion, jewelry has played its part in a woman’s ability to express herself in a visual way. Whidbey Island artists are creating beautiful pieces of jewelry that continue to burst with new ideas of form, color and design.
Barb Mundell’s green drusy necklace with jade beads.
Some of the great woman of history have made adornment with jewelry interesting and fun. Cleopatra was fabulously adorned, and they say Queen Mary, married to King George V in the 20s and 30s, had an extraordinary collection of gems. Apparently, she delighted in her jewels and was a splendiferous woman partly because of this delight.
Remember those great close-ups of Paloma Picasso in the 80s with her exquisite designs draped around her beautiful neck above which beamed that wonderful face? Jewelry has always been an ever-changing and great expression of art and design.
Handmade earrings with black beads show exquisite attention to detail by Tammi Sloan of My Brown Wren jewelry design.
Come in and see what these contemporary women artists are creating for other women and take a clue from Queen Mary’s delight: Adorn yourself!
Please join us for light refreshments and a chance to meet the artists of “Adornment” from 1 to 4 p.m. Sunday, Feb. 8 during Greenbank Farm’s “Second Sunday at the Farm” event, when the Farm’s galleries, shops, cafe and market welcome visitors to enjoy a relaxed afternoon of fine art, good food, lively conversation, and the exquisite natural beauty of this special place.
The fabulous Paloma Picasso at Tiffany’s in New York City, 1980. / Photo by Roxanne Lowit.
Rob Schouten Gallery, a premier showcase for Whidbey Island and Northwest artists, is located at historic Greenbank Farm on scenic Whidbey Island. January gallery hours are 11 a.m. to 4 p.m. weekdays, 10 a.m. to 5 p.m. weekends. Tuesdays and Wednesdays by appointment only. For further information, call 360.222.3070 or visit www.robschoutengallery.com.
(Pictured at top: Barb Mundell of Bella Terra created this beautiful garnets and silver leaf-work bracelet.)
BY RUSSELL CLEPPER Whidbey Life Magazine
Nov. 4, 2013
Here is a silver, lollipop flower represented by four marks and a circle. Here’s a copper wren conjured with simple carving and etched marks. And here is a ladle-shaped piece of hammered copper holding a freshwater pearl suspended from a zigzagging silver wire to represent a seed as it begins its destined, living transformation.
These are just a few of countless creations sprung from the eye, heart and hand of Tammi Sloan, one of this month’s featured artists in WLM’s Virtual Gallery. Each one is elegant and often simple in design, sophisticated and refined in spirit, and expertly handcrafted.
Sloan’s Wren House Pendant is made of copper, silver and garnets. / All photos courtesy of My Brown Wren
To all appearances, they are the work of a seasoned, master artist with perhaps several decades of experience informing the creation of each new piece. Yet Sloan only began making jewelry as a serious endeavor about four years ago.
Still, her life had prepared her for a life in art since the time she herself was merely a seed. Born into a family whose women were constantly creating with their hands, her genes carried the stamp of the artist, and it didn’t take long before she began creating things herself.
“I remember that as a kid, I was making stuff all the time. We made our own Christmas decorations, pot holders; all kinds of things,” Sloan said.
Her great aunt and grandmother, both painted. They both had jobs that required them to use their artistic talents. One did silk-screen designs and the other made stuffed animals. Her great aunt’s husband, Sloan’s Uncle Bud, inspired her to see birds as they flitted around the feeders and baths outside his windows. She would draw them for hours as they talked about all the different birds they’d see.
Sloan’s journey towards the mastery of an art form did not follow a straight line. Her interest in drawing continued throughout childhood and, as a high school student, she aspired to become an interior designer. She carried that passion on to college, where she enrolled in a drawing class. There, however, the first major twist in the road confronted her.
“I was working on a portfolio for the class, when I received news that Uncle Bud was very sick with a brain tumor. I didn’t go home, though, because I needed to finish my portfolio,” Sloan said.
Her uncle died and his death affected her deeply. Sloan quit drawing.
But, the family stamp was indelible, and Sloan would eventually find her way back to an artistic life.
The following years were filled with other lessons in life and art, which would contribute to her rapid evolution as an accomplished jeweler, once she finally embarked on that path. Around 1985, she took a class in Tempe, Ariz. with master enamelist Mary Chuduck, where she learned soldering and cloisonné. That was another seed planted, but life swept her further along, seemingly on a different path.
Sloan’s Inspirational Quote Pendants are made of copper, silver and colorful assorted stones.
After marrying Steve Sloan, she was soon busy managing their household and raising their two daughters, Shannon and Lauren. Still, that genetically imprinted urge to create soon had her working with her daughters to create polymer clay beads and other creations. She also sewed and knit clothes for her family, using her refined sense of design, and honing her manual skills to create the practical material things of everyday life.
She also sometimes had to work to help support the family, especially after the family first moved to Whidbey Island and her husband was having difficulty finding work. Some of the jobs she held offered her the opportunity to develop skills that would later prove useful in her art. Working for an optical company, for example, she learned a great deal about how to match colors for tinted lenses, and how to create a bezel along the edge of lenses so they could fit in their frames.
Through all those years, Sloan was also in pursuit of spiritual meaning and fulfillment. She studied Reiki and is now a level two Reiki master. Here on Whidbey, she has also taken classes in several disciplines, including sound healing and energy healing. Her spiritual lessons and knowledge serve her art, too. She has described creating jewelry as “a moving meditation,” and “an exercise in mindfulness … that brings me to a place of deep peace.”
In 2009, Sloan began making beaded jewelry. However, she was obliged to buy many of the components of her pieces and felt that their overall originality suffered as a result.
“When you buy mountings and findings in shops or online, your work just looks like everybody else’s,” she said. “I wanted to learn how to make all the components for my pieces so they can be truly my creations.”
In 2010, Sloan met Riki Schumacher at the Anacortes Art Festival. Schumacher was creating jewelry using a process that incorporates metal clays (a by-product of automobile manufacturing). A metal clay can be copper or silver held together by an organic binder. When fired with extreme heat in a kiln, the binder burns away, leaving only the metal. The process gives the artist more flexibility in creating designs.
After taking her first class in metal clays while on vacation in New Hampshire, she wasn’t sure that she liked the method. But with further study and experience, she soon became adept and has found many ways to incorporate it with other processes to create her pieces for her “My Brown Wren” line of jewlery. For example, she has learned how to etch metal in a salt bath using electricity. The process is called electrolytic etching and uses no harmful chemicals or acid.
Enameled Jewel necklaces are made with fine silver and enamel on 18 inch sterling silver chains.
Sloan has taken many classes along the way, choosing processes and teachers to suit the needs of her rapidly growing awareness of possibilities, fueled by her highly creative imagination. Hammering sheet metal, using a jewelers saw, etching, making components; if she didn’t know how to do it, she sought out people who could teach her.
In so doing, she has become a teacher herself and offers classes in electrolytic etching, metal clay and enameling, and in making handcrafted findings, as well as other processes.
Sloan is currently exhibiting and selling her work her on the island at the Rob Schouten Gallery in Greenbank and Inspired Arts Gallery and Gifts in Freeland. You might also see My Brown Wren at summer arts and crafts fairs, such as Choochokam in Langley and online at www.mybrownwren.com, and through Etsy.
From the seed’s potential to the bloom of fulfillment, Tammi Sloan has allowed herself to be transformed into what she was destined to be. From inside a window between two realities somewhere, her Uncle Bud must recognize the beautiful little brown wren he loved so much a long time ago.
Russell Clepper is a singer-songwriter who plies his trade locally and around the country. He also is a substitute teacher for the Oak Harbor School District.
